LALITHA SAHASRANAM ललिता सहस्रनाम MAI SAHASRANAMA माई सहस्रनाम
51) Sarvaabharanbhaasuraa सर्वाभरणभासुरा – Adorned with every ornament. ललिता सहस्रनाम स्तोत्र, नाम क्रमांक 51
52) Shiva-kaameshvaraankasthaa शिवकामेश्वरांकास्था – ललितासहस्रनाम स्तोत्र, नाम क्रमांक 52
Mother says to the devotee,” I have been the worshipped and Mother for innumerable lives to thee. Now let me be the worshipper and the daughter to serve thee after so many endless and indescribable miseries that you have suffered for me.”
She as daughter is the sitter in the lap of Her devotee at this stage.
This idea I got at the worshipping place of my most revered old friend Kaushikarambhai V Mehta.
When I went to him, he offered me with great love the best dish of almonds, sugar-candy etc.I would not eat though he repeatedly asked me to eat. The fact was that I do not eat or drink anything without dedication to Mother and I was too shy. My throat was chocked. In a piteous voice I sang two lines by way of an answer. ” Mother, tell me whether you are Mother and I am son, or I am an old Father and you are my darling lovely daughter! ” Generally, whenever parents gets best dainties to eat, children’s remembrance stops the morsel going down the throat. It was this experience which made joyful and dancing and I said to myself, I have found the meaning of Shiva-kaameshvaraankasthaa.
That Mother takes a fancy and delight to be the devotee’s daughter is not an inappropriate idea. It is only fools who always prefer to be the worshipped and never the worshippers.
There was a living instance in Bengal, the Blessed home of Mother Worship and the birth province of Her Blessed son,Shri Ramakrishna Paramahamsa.
A devotee extremely poor once desired to celebrate Durga Pooja festival and went to fetch his daughter for the purpose from her husband’s house. The husband’s family was extremely rich and the members of the family drove out the devotee stating that he was a fool to expect that his daughter who was the queen of the family, which would be celebrating the festival gloriously with grand dinners, would be rolling half-starving at her father’s house.
The devotee returned and on the road journey wept under a tree at the first half of the journey. At the second half he found his daughter shouting out to him to stop. The daughter stated weeping that after his departure there was an exchange of harsh words and she was turned out to her father. The daughter said,” Father, do not worry. You have been old. My husband has given me immeasurable wealth. We shall live together and I will serve you for your life.” The father was still more miserable. Not only he was spurned but his daughter was turned out. The daughter served him shampooing and with most delicate love actually fondling old father- Durga Poojaa was celebrated with devotion gloriousness and lavish spending, in a manner which surprised the whole province. On the ninth night she sat in the devote’s lap in full ecstasy and asked him,” father , tell me honestly, don’t you repent, having taken this idiosyncrasy of devotion to Mother.” The devotee said,” My darling, you are yet too young to have any idea of my love for Mother.” Next morning the daughter was missing.
On inquiry it was learnt that his real daughter had not left her husband’s house.
Mother often desires the fanciful pleasure of being the devotee’s daughter. She feels joy of sitting in his lap.
Reader, I am free with thee as we are soon to part, after a few pages. Weep and weep out of love for Mother, if you are a devotee. If you are a heartless learned one , laugh at my folly of wasting my breath in wilderness. Mother has been given Her right status by few devotees. Most of the devotees have understood Her to be stern and awful. Some have exploited Her Grace and Mercy. Very few have loved Mother as Mother.But here the love has been of such an immeasurable intensity that unlike the most universal truth that the Mother fondles the child , the devotee fondles the old Mother, who has been neglected and discarded by the ungrateful universe.
In love when there is monotony due to the climax of loving in a particular relationship, there is still greater pleasure in inverting the relationship, just as when you have read a book for times without number, you like to read it from last chapter to the first. It is this idea which gives clue to the inversion of the letters of a Mantra.
It is higher than the highest stage of natural love. The natural relationship is one of the schools of the devotees is for woman devotee to consider herself as beloved of Lord Krishna, and some male devotees too as in the Raadhaa-Vallabha school , consider themselves to be Gopis i.e., the beloved of Lord Krishna. On the above lines there is higher than the highest, and it is when the devotee considers God as his beloved.
53) Shivaa शिवा – The beneficial.ललिता सहस्रनाम स्तोत्र, नाम क्रमांक 53
The energy underlying what becomes beneficial through perception, right understanding, true knowledge, practical wisdom, impartial seeing, long fore-sighted thinking, charitable considering, concentrated remembering,healthy conceiving, determined wiling,disinterested loving, legitimate desiring.etc., is a gift and grace of Mother.
The Daanavas and the Devas are on equal relations to Mother; She does good (Shivaa) to all beings.Hence Mother is known as Shivaa. She is Shivaa because She confers on Her worshippers natural purity, stainless qualities, superiority, supporting power,supremacy and immortality.
She who has assumed the energising aspect connected with one and varied consciousness, who is intellect, without attributes, self-shining, unchangeable, supreme bliss, and the cause of destruction of worldly bondage, is Shivaa.
54) Svaddhina Vallabhaa स्वाधीनवल्लभा – She by whose devotion a lady becomes the master of her husband. ललिता सहस्रनाम स्तोत्र, नाम क्रमांक 54
This is so because she fills his heart with love for her and for her Mother. Such a devotee is full of love for her husband. She regains her husband though lost.
The Mantra ” Jaya Maarkand Maai Jay Maarkand Maai Svaadhina Vallabhe Jaya Maarkand Maai Jaya Maarkand Maai ” [ जय मार्कण्डमाई जय मार्कण्डमाई स्वाधीनवल्लभे जय मार्कण्ड माई जय मार्कण्डमाई ।। ] has wonderfully achieved the desired result. Maai devotees must however, be very careful, not to abuse powers nor to hope any success in illegitimate desires.The Mantra would be successful if the repeaters are faithful and obedient to their husbands. Maai will relieve you speedily of your honest grievance, provided you are humble and righteous.
Another meaning is She by whose devotion a wife regains her husband from overwhelming clouds of misery and distress or from the clutches of some higher powers.
( Saavitri सावित्री, Sachi शची and Sukanyaa सुकन्या are instances in Hindu Mythology.)
55) Sumeru-madhya-shringasthaa सुमेरूमध्यश्रृंगस्था –Dwelling on the middle peak on golden Mount Sumeru. ललितासहस्रनाम स्तोत्र, नामक्रमांक 55
56) Shriman-nagara-naayikaa श्रीमन्नगरनायिका – Resident and Ruler of the beautiful city. ललिता सहस्रनाम स्तोत्र, नाम क्रमांक 56
57) Chintaamanigrihaantasthaa चिंतामणिगृहान्तस्था – Residing in a house built of Chintaamani. ललिता सहस्रनाम स्तोत्र, नाम क्रमांक 57
Chintaamani is that jewel which yields all the objects desired to the possessor, as soon as he meditates on Mother and makes the demand about the thing desired.
58) Pancha-brahma-asana-sthitaa पंचब्रह्मासनस्थिता – Sitting upon a seat, formed of five Brahmas. ललिता सहस्रनाम स्तोत्र, नाम क्रमांक 58
The terms state,” There is the Supreme Mother, in the supreme house built of Chintaamani gems , which on meditation, gives the desired objects. There is a great pleasant couch, whereupon Maheshvar serves as the pillow, Sadaashiva as the mat and whereof Brahmaa, Vishnu, Mahesh and Ishvar are the four supports.”
On this great couch the great Tripurasundari reclines.
59) Mahaapadmaatavisamsthaa महापद्माटवीसंस्था – Residing in the great forest of lotuses.ललिता सहस्रनाम स्तोत्र, नाम क्रमांक 59
60) Kadambavanavaasini कदम्बवनवासिनी – Living in a grove of Kadamba trees.ललिता सहस्रनाम स्तोत्र, नाम क्रमांक 60
The place of Chintaamani is surrounded by a gallery formed of gems (Manimandapa), and around this is the grove of Kadamba trees.
EXTRACT FROM : MOTHER AND MOTHER’S THOUSAND NAMES
AUTHOR : MAI SWARUP MAI MARKAND